gillian wearing album 2003

Call Gillian (1994) is a 30-minute long video where Wearing recruited strangers through posting an ad in Time out magazine and provided a space where participants would confess their terrors and fantasies to the camera, their identity protected by costume masks. Of these "confessional" pieces, Wearing stated, .mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0}, I decided that I wanted people to feel protected when they talked about certain things in their life that they wouldn’t want the public that knows them to know. In Wearing's Broad Street (2001), she documents the behavior of typical teenagers in British society who go out at night and drink large amounts of alcohol. [24], Wearing's 2010 show People (2005–2011) at Tanya Bonakdar Gallery included work ranging from video, to photographic portraiture, to installation and sculpture. 2003 O’Reilly, Sally, Gillian Wearing, Time Out, 5 – 12 November, No. Turner Prize-winner Gillian Wearing produces candid videos and photographs revealing the disconnect between our inner lives and public personas, the individual and society, and truth and fiction. Gillian Wearing (British, born 1963). See more ideas about british artist, a level photography, human condition. So, second mode: fiction'. [26], Wearing was appointed Officer of the Order of the British Empire (OBE) in the 2011 Birthday Honours for services to art. [8] Wearing sees that Anthropology "attempts to compress human subjectivity into scientific objectivity". Cahun’s 1927 self-portrait, with kiss curls on her forehead and hearts painted on her cheeks, is playfully teasing. She studied Fine Art at Goldsmiths' College, University of London, and … Gillian Wearing, Family Album, 2003-2006. Founded in 2010, Independent is an invitational art fair devised by and for gallerists, which re-examines traditional methods of presenting, viewing, and experiencing contemporary art. In her art she gives perfectly ordinary people a voice, examining and documenting the relationships between them. Intrigued? Gillian Wearing CBE, RA (born 10 December 1963) is an English conceptual artist, one of the Young British Artists, and winner of the 1997 Turner Prize. In 1997, Wearing won the Turner Prize and exhibited videos such as 60 minutes silence which is a video of 26 uniformed police officers, but at first appears to be a photograph. One of Wearing's first UK shows was held at the Chisenhale Gallery in east London, in June 1997. Gillian Wearing (b. [17] They start creating the mask in clay from a two-dimensional image into a three-dimensional object. When writing my essay regarding contemporary identity, I was inspired by the series 'Album', 2003 by Gillian Wearing and wanted to explore the concept of showing a piece of yourself through your parents.Wearing's piece consisted of a collaboration with Madame Tussaud's, where they had created wax figurines of the subjects in each portrait, leaving the eye area free for Wearing to look … 534 West 26th Street, Chelsea. Self Portrait at 17 years old from Album, 2003. In fact each picture is of Ms. Each of the five pictures, all hung on one wall, looks like a glossy enlargement of a photograph from a family album: they include old black-and-white yearbook-type pictures of the artist's mother and father; a professional head shot of her smiling uncle; a snapshot of her shirtless brother in his bedroom brushing his elbow-length hair; and a photo-booth picture of the artist herself at 17. They stagger around, fall over, bicker, fight, sleep and in the end one of the men stands against the backdrop and urinates. Feb 23, 2016 - Explore Charlotte Adams's board "gillian wearing" on Pinterest. Wearing Gillian, 2018. Wearing's self-portraiture has its own creepy metaphorical intrigue. [18] She created masks out of silicone of her mother, her father, her sister, her uncle, and a mask of herself with help from experts that were trained at Madam Tussauds in London. [32], Wearing lives and works in London with her partner, British artist Michael Landy. Here Wearing wears a dress her sister wore in the 1980s. Over the years I have encountered many of her self-portraits—especially the ones from the series Album (2003), where she wears astonishingly true-to-life masks of her family members or herself at a younger age—and scanned every single detail in search for a glimpse of the reality behind the accurate fiction, the present moment behind the reconstructed past. Image courtesy IVAM Institut Valencià d'Art Modern The use of masks in these works is a very simple and effective enabler for anonymous communication, offering the possibility to act or behave as someone else. [7] The use of masks also questions authenticity and how reality can be fabricated. Wearing is known for her method of documentation of everyday life through photography and video, concerning individual identity within the private and the public spaces, where Wearing blurs the line between reality and fiction. John Slyce has described Wearing's method of representation as "frame[ing] herself as she frames the other". Wearing’s aforementioned 1993 video Dancing in Peckham was another crucial inclusion for the show’s curator Nathaniel Stein.“It stated, ‘This artist is going to turn things upside down,’” he notes. [17] The works in Album then do not necessarily put the family members as the main focus; rather they capture Wearing's engagement with the family members. And it is the nature of the paradox that gives the film its power [...] The paradox emerges indirectly, a consequence of the two modes of narration of the film. [18] In an article for The Guardian she explains that the process takes four months per mask, and how at first "some people tried to direct me to use prosthetics, but I was adamant it had to be a mask, something that transforms me entirely, something that was not grotesque but real, like a trompe l’oeil". I discovered Gillian Wearing’s 2003 series Album in late high school.In it, the British artist painstakingly reenacted portraits of family members in their youth—her brother, sister, parents and uncle—by donning silicon prosthetics that mimicked their skin and facial features. 《60분간의 침묵 Sixty Minute Silence 》(1996), 《앨범 Album 》(2003) 등이 있다. [네이버 지식백과] 질리언 웨어링 [Gillian Wearing] (두산백과) Eliot said, “a face to meet the faces that you meet.” Wearing has always been interested in creating what she calls platforms that allow her subjects to articulate the “plethora of stories and experiences” they are … Her statue of the suffragist Millicent Fawcett stands in London's Parliament Square. In Russel Ferguson's “Show Your Emotions” he draws Wearing's use of mask draws to an older tradition that runs back to at least as far as classical Greek tragedy: "One in which the mask functions not so much to substitute one identity for another as to obliterate the superficial aspects of physical appearance in order to reveal more fundamental truths". [9] In an interview with Donna De Salvo, Wearing states: "For me, one of the biggest problems with pure documentary photography is how the photographer, like the artist, engineers something to look like a certain kind of social statement—for instance, you can make someone look miserable, when this is just one side, a nuance of their personality. The participants – through their facilitator, Sam Rumbelow – explore the techniques of "the method", method acting, which will allow them to encounter themselves anew and so generate their own "self-made" film. [7] Self Portrait of Me Now in Mask framed c-type print 124 x 98 cm ... wax sculpture and wooden plinth 56 x 14 x 10 cm 2013. [8] This piece materialized after Wearing caught a glimpse of a woman she saw with a bandaged head while in her friend's car. In 2003, Wearing caused controversy with her cover for The Guardian's G2 supplement, consisting solely of the handwritten words "Fuck Cilla Black". I couldn’t bear the idea of taking photographs of people without knowing". Intrigued? Collection Albright-Knox Art Gallery, Buffalo, New York; Charles Clifton Fund, 2004 (P2004:14.6). The themes of modern television were further explored in Wearing's project Family History (2006) commissioned by Film and Video Umbrella, and accompanied by a publication on the project. Album is a suite of six self-portraits that Wearing made based on old photographs from her family album. [17] The individuality of each member begins to assert itself as the recording goes on and the officers conclusively become “ordinary human beings”. Wearing shows teenagers partying at various clubs and bars along Broad Street, Birmingham. [6] Her work in photography and video at first appear like most other journalistic methods of documentation seen in television and documentaries, but after further examination it becomes apparent that they do not conform to mass-media conventions. In the late 1990s, Wearing made a three-channel video called Drunk (1997-1999), for which she filmed a group of street drinkers who she had got to know outside her studio against the backdrop of a white photographic backdrop. In 2007 Wearing was elected as lifetime member of the Royal Academy of Arts in London. [14] In Confess all on video. She also exhibited Sacha and Mum showing emotions between a mother and daughter. The notion of ‘different faces’ is an ongoing thread throughout your practice. Don't Worry You Will Be In Disguise. © Gillian Wearing Collection Albright-Knox Art Gallery, Buffalo, New York; Charles Clifton Fund, 2004 (P2004:14.6). Gillian Wearing is interested in real life. She has shifted, however, from sensationalistic sociology to a quieter, autobiographical mode. Album exhibition view: Maureen Paley, London 2003. Wearing follows these teenagers demonstrating how alcohol contributes to their loss of inhibitions, insecurities, and control.[22]. [8] This exchange between Wearing and the people she photographs makes the interaction more conversational rather than typical documentation methods of portrait photography.[13]. Call Gillian Version II, Gillian Wearing OBE 1994", "Gillian Wearing Takeover: Behind The Mask - The Self Portraits", "Turner Prize: A Retrospective 1984 – 2006: 96–97", 'In Conversation: Gillian Wearing with William Corwin', 'Turner Prize 1997: Generating art debate', "Library of Birmingham statue unveiling: Two mums immortalised in 'ordinary' family sculpture", "Millicent Fawcett: Parliament Square's first female statue has a much bigger story to tell", "Michael Landy – the man who had nothing", "Birmingham artist Gillian Wearing given top university honour", Wearing interviewed by Leo Edelstein for the, Everyone I Have Ever Slept With 1963–1995, The Physical Impossibility of Death in the Mind of Someone Living, https://en.wikipedia.org/w/index.php?title=Gillian_Wearing&oldid=1000839511, Alumni of Goldsmiths, University of London, Photographers from Birmingham, West Midlands, Commanders of the Order of the British Empire, Pages containing London Gazette template with parameter supp set to y, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 17 January 2021, at 00:16. [17] This work references into the canonical work in the history of photography of Cindy Sherman, though Wearing has shifted the focus to exploring her own persona and its underlying relationships as a social construct. Mother and daughter download PDF `` the piece that won Wearing the Turner Prize in 1997 the Internet has people! Human condition “ Gillian Wearing does not suffer the indignity of speaking for others. ” cover an! Herself, made up to resemble her relatives as they appear in actual photographs a voice examining... Creating the Mask, Another Mask Royal Academy of Arts in London with her partner, British artist Landy.... 2003 [ 6 ] Wearing presents this fictitious nature of the work as a report s... Actual photographs Parliament Square actors and con men make it our lives, preparing, as T.S and any... Part of British artist, a level photography, human condition use of masks questions... 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