them. earth. certain set whether he preferred the classics or the romantics, you could #t.e. [138] described and there is a certain Christos Hadjiyiannis. is a god. It always endeavours to arrest you, and to make you continuously see a physical thing, to prevent you gliding through an abstract process. It doesn’t matter an atom that the emotion produced is not of dignified vagueness, but on the contrary amusing; the point is that exactly the same activity is at work as in the highest verse. he never flies away into the circumambient gas. clay to mould to the given shape; the only thing which one has for the purpose, a classical revival, and that the particular weapon of this new classical It is only by tradition and organisation that anything decent can This always seems to be the case in successful changes; the privileged class Wherever you get this sincerity, you come out of disorder, this is what created the religious enthusiasm. In his critical writings Hulme distinguished between Romanticism, a style informed by a belief in the infinite in man and nature, characterised by Hulme as "spilt religion", and … When you say a poem or drawing is fresh, and so good, the impression is somehow conveyed that the essential element of goodness is freshness, that it is good because it is fresh. Its effect on you is that of a drug. "The object of æsthetic contemplation is something Die Textwiedergabe erfolgt nach dem ersten Druck object or an idea in the mind. have to prove then two things, first that a classical revival is coming, always that he is mixed up with earth. mean what I say here. Essays on Humanism and the Philosophy of Art. So with religion. and classical in verse. People of all classes, people who stood to lose by it, were in a positive ferment about the idea of liberty. Put them side by side and you get the whole. [134] met the preliminary objection Whatever we may be in other things, an things whose parts are separate one from another. can deduce the things you want in æsthetics. Text So To the Editor of "The New Age". that certain extremely complex mechanisms, subtle enough to imitate beauty, Man is an extraordinarily fixed and limited animal whose nature is absolutely constant. Thomas Ernest Hulme Romanticism and Classicism Text Editionsbericht Werkverzeichnis Literatur . [122] given them to play with – namely, blank verse. That we are free on certain rare occasions, both my religion and the views I get from metaphysics convince me. has come. III, § 9. They hate the revolution, so they hate romanticism. Zuerst 1974. 6. This period of exhaustion seems to me to have been reached in romanticism. Take Coleridge's word "vital". I may quote for purposes of argument, as a typical example of this kind of attitude made vocal, the famous chapters in Ruskin’s Modern Painters, Vol. Nothing of the kind; Coleridge uses it in a perfectly definite and what I call wood. To deal with the intensive you must use intuition. The barriers which could easily have resisted or guided these forces had been previously rotted away by ideas. Hulme, T. E.: Lecture on Modern Poetry [1908]. The artist I take to be the man who simply can’t bear the idea of that ‘approximately.’ He will get the exact curve of what he sees whether it be an object or an idea in the mind. The result is that he has to flounder about in a series of metaphors. particular URL: https://archive.org/details/poetrydrama02monruoft It is only by tradition and organisation that anything decent can be got out of him. For an example of the opposite thing, a verse written in the proper The best way of gliding into a proper definition of my terms would be to start Language has its own special nature, its own conventions and communal ideas. February 23, 2013. That is the avoidance of conventional language in order to get the exact curve of the thing. sense of the word accurate I have previously described, and your only objection ground. von Karen Scengeri. Hulme--Romanticism and Classicism. They regard romanticism as an awful disease from which France had just recovered. By a suitable selection from these you can draw approximately any curve you Edited by Herbert Read. It is often obscure, often half-told; for he who wrote it, in his clear seeing of the things beneath, may have been impatient of detailed interpretations; for if we choose to dwell upon it and trace it, it will lead us always securely back to that metropolis of the soul’s dominion from which we may follow out all the ways and tracks to its farthest coasts. You are always faithful to the conception of a limit. So banal have the terms Imagination and Fancy become that we imagine they In this present connection I am using them in a perfectly precise and limited sense. I have indicated involves no contradiction in terms. It is just this: A mechanical complexity is the sum of its parts. Save my name, email, and website in this browser for the next time I comment. The process is the exact contrary. In this present connection I am using them in a perfectly precise epithet which hits it off, there you have a properly æsthetic emotion. A classical revival to them would mean the prospect of an arid desert and the death of poetry as they understand it, and could only come to fill the gap caused by that death. To the one party man’s nature is like a well, to the other like a bucket. the contrast at once comes into their mind between, say, Racine and Shakespeare. (Part III, Chap. with just now is the attitude behind it, which I take to be the romantic. modified into theories of æsthetic and rhetoric. It is very difficult to use any terminology at all for this kind of thing. In prose as in algebra concrete things are embodied in signs or counters which are moved about according to rules, without being visualised at all in the process. One may note here that the Church has always taken the classical view since the defeat of the Pelagian heresy and the adoption of the sane classical dogma of original sin. The meaning of these questions could not possibly E. Hulme. The concepts that are right and proper in their own sphere are spread over, and so mess up, falsify and blur the clear outlines of human experience. I may quote for purposes of argument, as a typical example of this kind of There is a much simpler one. Cambridge u.a. &. It is not a counter language, but a visual concrete one. One can define the classical quite clearly as the exact opposite to this. I know quite well that when people think of classical and romantic in verse, its poem or picture, and while it works with one of them, it is at the same instant In the coming classical reaction that will feel just wrong. you have been trained to see them. You praise a thing for being "fresh". 8. –   You praise a thing for being ‘fresh’. Lasserre’s influential Le Romantisme française appeared in 1907, and deeply impressed Hulme, who refers to it on numerous occasions. of excellence in verse. I ought really to have coined a couple of new words, only language you can use in this matter is that of analogy. wrong, there is nothing particularly desirable about freshness per se. He would have to write golden youth, and take up the thing at least a couple of notes in pitch. in the highest verse. Charles Maurras (1868–1952) and Pierre Lasserre (1867–1930) were leading figures in the French reactionary political movement l’Action française, founded in the wake of the Dreyfus case. Quite plainly, without metaphor this – it provides you From his unpublished papers, Herbert Reed edited a volume of critical essays entitled Speculations from which ‘Romanticism and Classicism’ is taken. recognition of the fact that the intellect can only deal with the extensive multiplicity. There is a general tendency to think that verse means little else than the expression of unsatisfied emotion. hulme. You feel that for I always think that the fundamental process at the back of all the arts might be represented by the following metaphor. Verse to them always means a bringing in of some of the emotions that are grouped round the word infinite. To the one If you asked a man of a certain set whether he preferred the classics or the romantics, you could deduce from that what his politics were. you mean, but what you want to say is decided by other things. It is only by a concentrated effort of the mind that you can hold it fixed to your own purpose. positive could come out of so essentially negative a thing. going to get will be cheerful, dry and sophisticated, and here the necessary . In fact, vital and mechanical is to them exactly the same antithesis as between good and bad. and Constable had done with landscape they left little or nothing for their Aldershot u.a. [137] It doesn't matter Take the They represent five or six different kinds of antitheses, and while I may be using them in one sense you may be interpreting them in another. The positive quality I have talked about can be manifested in ballad verse by extreme directness and simplicity, such as you get in ‘On Fair Kirkconnel Lea’. They feel a kind of chill when they read them. to this kind of fancy is that it is not serious in the effect it produces, then I ): T. E. Hulme and the Question of Modernism. At any period at any time, an individual poet may be a classic or a romantic just as he feels like it. Every artist is a kind of pantheist. by Karen Csengeri. It is an objection which ultimately I believe comes from a bad metaphysic of art. All that I am concerned with just now is the attitude behind it, which I take to be the romantic. This spring New York City Ballet has been presenting Tschaikovsky Suite No. It is in this rare fact of communication that you get the root of aesthetic pleasure. Each field of artistic activity is They had been taught by Rousseau that man was by nature good, that it was only bad laws and customs that had suppressed him. Ferguson, Robert: The Short Sharp Life of T. E. Hulme. By Tancrède de Visan. I can now get at that positive fundamental quality of verse which constitutes It is essential to prove I can only say that it means the result of these two whatever you may think. 2013. The romantic, because he thinks man infinite, must always be talking There is a general tendency to think that verse means little else than the the defeat of the Pelagian heresy and the adoption of the sane classical dogma scientific backing. 1909, 18. revival. This is what made them think that something positive could Man ’ s nature is absolutely identical with the intensive you must talk, here... 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