The guest curator is the distinguished writer, critic and art historian, Dr. David Anfam. For this work, Benglis smeared Day-Glo paint across the gallery floor invoking "the depravity of the 'fallen' woman" or, from a feminist perspective, a "prone victim of phallic male desire". Installation views. New York: Garland. [5] She is the eldest of five children. "[49][50], Benglis won a Yale-Norfolk Summer School Scholarship in 1963, and a Max Beckmann scholarship in 1965. [5] She also took a job as an assistant to Klaus Kertess at the Bykert Gallery before moving on to work at the Paula Cooper Gallery. Lynda Benglis. [35] Benglis' performance-based videos confront issues of gender and identity by referencing the societal representation and construction of women and their sexuality as well as the interaction between viewer and artist, self and ambiguity. She is the recipient of a Guggenheim Fellowship and two National … Morris's Exchange (1973) also came out of this collaboration. She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India. Often, the artist will announce the relation from them to the person from off camera, sometimes calling them multiple different names and labeling them with different, incompatible roles. NEON is pleased to present Lynda Benglis: In the Realm of the Senses at the Museum of Cycladic Art, Athens. Landmarks, the public art program of The University of Texas at Austin, exhibited Now (1973) and archived an essay dedicated to Benglis and her work on their website. Benglis's work was greatly neglected for a long time. [7] She earned a BFA degree in 1964 from Newcomb College in New Orleans, which was then the women's college of Tulane University, where she studied ceramics and painting. All feature her recursive screen technique. Lynda Benglis. (139.7 x 190.5 x 54 cm.) Lynda Benglis (Artist) interview SOT CUTAWAYS Screen showing video clip with headphones in foreground GRAPHICISED Magazine opened in display case showing Benglis nude photo Benglis and reporter along in gallery Statues Metal sculptures Lynda Benglis (Artist) interview SOT CUTAWAYS Various artworks of split paint/ latex / polyurenthene on floor Crystal like towers Reporter and Benglis … She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India. Acquired directly from the artist by the present owner. Lynda Benglis lives and works in New York; Santa Fe; Kastellorizo, Greece; and Ahmedabad, India. Photograph: Panos Kokkinias/NEON. Video offers a direct representation of a figure, a history of popular culture, and a way to illustrate bodies interacting in space, making it useful for feminist discourse. During the 1970s, Benglis engaged in dialogues relating to the feminist movement through her art by pioneering a radical body of video work made up of fifteen videos. Lynda Benglis made several video pieces in the 1970s, when she was working at the University of Rochester and could use the school's equipment. Ortuzar Projects and Cheim & Read are pleased to present Lynda Benglis: Early Work 1967-1979.Across three spaces in uptown and downtown Manhattan, this major exhibition includes significant work from the artist’s first decade in the city that proved crucial to the development of her practice. See more ideas about process art, art, sculpture art. Using brightly colored polyurethane foam and incorporating wide-ranging influences, such as Abstract Expressionism, Process Art, Minimalism, Feminist art, geological forms, and ceremonial totems, Benglis developed her instantly recognizable sculptural language of undulating, oozing biomorphic forms. Lynda Benglis Female Sensibility (Sensibilidad femenina) 1973. "The Body Through Women's Eyes". "[26], In 2011, The New Museum organized a four-decade exhibition of Benglis's sculptural works with supplementary videos, Polaroids, and magazine clippings. Now is the most well-known of these works, and made a significant impact on the field of video art and critical theory. LYNDA BENGLIS: EARLY WORK 1967–1979 October 8–December 3, 2020. Research resources. Driven by an inventive and interrogative approach to both the physical and aesthetic properties of her… Lynda Benglis: Water Sources was the first exhibition centered around the outdoor water fountains that Benglis has developed since the early 1980s. Lynda Benglis lives, works, and travels between New York City; Santa Fe; Kastelorizo, Greece; and Ahmedabad, India. Her work from the 1980s and 1990s was also shown, represented by a few of her famous pleats, which involved her spraying liquid metal onto chicken wire skeletons, and two videos from each of the decades. She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India. [23] By adopting a phallus, Benglis physically and symbolically muddies the distinction made between these two types of gender performativity and ultimately overturns them, resulting in a positive assertion of femininity's sexual and cultural power. See more ideas about process art, art, sculpture art. Leslie Feely is committed to making its website accessible to all people, including individuals with disabilities. More broadly, this presentation took as its point of departure the interest in water and landscape that Benglis has explored throughout the last thirty years of her career. Lynda Benglis’s (b. It was her way of protesting the macho male monopoly of the art scene of the times. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. Executed in 1974. Her works are in the public collections of the Albright-Knox Art Gallery; Dallas Museum of Art; Los Angeles County Museum of Art; Solomon R. Guggenheim Museum; Museum of Contemporary Art, Los Angeles; Museum of Modern Art, New York; National Gallery of Art, Washington, DC; Philadelphia Museum of Art; San Francisco Museum of Modern Art; Tate Modern; Walker Art Center; and the Whitney Museum of American Art, among many others. By doing so, she further exposes the interface between inner and outer realities by using and reproducing her own body and its image through video manipulations, interacting with her own image and voice, and confusing the viewer's perception of time and space. Rehabilitation Act and Level AA of the … The ceramic pieces have a handmade quality that effect the senses both desire driven and dismal, while the colors suggest the glitz of commercial culture. Mar 22, 2020 - Jan 24, 2021. [43], Between 1969 and 1995 Benglis held over 75 solo exhibitions of her work both in the United States and abroad. In this overview of Ms. Benglis’s work in the 1990s, the masculine-feminine, yin-yang tension is alive … Provenance. Lynda Benglis (b. [15], Benglis has been a professor or visiting artist at the University of Rochester (1970-1972), Princeton University (1975), University of Arizona (1982), School of Visual Arts (1985-1987). 20h x 36w x 12d in. Since then, Benglis’s endless innovation has made her a critical figure who has bridged and influenced several generations of artists. National Gallery of Art, Washington, D.C. Mar 22, 2020 – Jan 24, 2021. [51][1] She has also received two grants from the National Endowment for the Arts, one in 1979 and the other in 1990. First recognized in the late 1960s for her poured latex and foam works, Benglis created work that was a perfectly timed retort to the male-dominated fusion of painting and sculpture with the advent of Process Art and Minimalism. In the late 1960s, American artist Lynda Benglis, born in 1941, expanded the boundaries traditionally assigned to media and gender with her bold, physical, and tactile works. Though Benglis' sculptures reference sexuality through subtly eroticized materials and forms, her video work approaches the subject conceptually and more explicitly. These brightly colored organic floor pieces were intended to disrupt the male-dominated minimalism movement with their suggestiveness and openness. More broadly, this presentation takes as its point of departure the interest in water and landscape that Benglis has explored throughout the last thirty years of her career. Lynda Benglis’ legendary practice began in 1960s New York City, her commitment to merging content and form, subverting the paradigms of Minimalism and Modernism, established her formidable role in contemporary art history as a leader in the Post Minimalism movement. She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India. Lynda Benglis was born in Lake Charles, Louisiana in 1941. Lynda Benglis was born in Lake Charles, Louisiana in 1941. The present work is part of a sculpture series that Benglis began … Works from the exhibition. Benglis' attention to materials and ongoing research into the "extravagant" are in full agreement with Baroque poetics. Lynda Benglis was born in Lake Charles, Louisiana in 1941. 1941, Lake Charles, LA) lives and works in New York, NY; Santa Fe, NM; Kastellorizo, Greece; and Ahmedabad, India. NEON Presents "Lynda Benglis: In the Realm of the Senses" Nov 25, 2019. [18], Benglis felt underrepresented in the male-run artistic community and so confronted the "male ethos" in a series of magazine advertisements satirizing pin-up girls, Hollywood actresses, and traditional depictions of nude female models in canonical works of art. It then moved to Le Consortium, in Dijon, France; the Museum of Art at the Rhode Island School of Design, in Providence; and the New Museum, in New York. Lynda Benglis is an American artist best known for her forms created in wax, latex, metal, and foam, which expertly meld the artistic practices of painting with sculpture. But her invention of new forms with unorthodox techniques also displays a reverence for cultural references that trace back to antiquity. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. My first wall pieces were all kind of open. A pioneer of post-minimalism, feminist, and video art, Lynda Benglis rose to prominence in the early 1970s, and has since become known for her aggressively confrontational challenges to accepted social and aesthetic dogmas. [25] Benglis eventually cast five lead sculptures of the dildo that she posed with on the Artforum cover, each entitled Smile, one for each of the Artforum editors who wrote in to complain about her ad.[21]. Document and On Screen feature particularly strong feminist themes, and both feature the artist directly. One of her own more noted videos is Female Sensibility (1973), which shows the artist kissing and licking the face of fellow artist Marilyn Lenkowsky. Book your free timed ticket today. Making Space: Women Artists and Postwar Abstraction Apr 15–Aug 13, 2017 9 … Her work is also deemed important for its meticulous grounding in process and materials used. [38] For instance, in Now (1973) the artist's face is recursively featured, but this time the self-evidencing frame of the television is cropped out. 1941) expanded the boundaries traditionally assigned to media and gender with her bold, physical, and tactile works. At the same time, she was also working on "small encaustic relief paintings[15], Like other artists such as Yves Klein, Benglis mimicked Jackson Pollock's flinging and dripping methods of painting. Works by women artists on the subjects of sex, pleasure and desire. Wing Lynda Benglis 1970 Quartered Meteor Lynda Benglis 1969 Odalisque: Hey Hey Frankenthaler Lynda Benglis 1969 Benglis employs various technical manipulations of video as a medium to complicate the boundaries of visual form and highlight mediations of the self, including a recursive technique by filming television screens playing videos that she had filmed previously, often several layers deep. A final group of sculptures, built with plaster shaped by chicken wire and colored with gesso and gold leaf, again aligns with the often embryonic nature of Benglis’s production. The screen shows the artist standing in front of a monitor, viewing another recording of herself inside it. Please note this work is a unique variant from a series of three. Born in Lake Charles, LA, Benglis earned a BFA from Newcomb College in New Orleans in 1964, and studied at the Brooklyn Museum School of Art in New York during the following year. These dual … Other statements in this video are descriptions such as "Robin is weaving in the studio downstairs," and "the phone is ringing." [6], Benglis attended McNeese State University in Lake Charles, Louisiana. Lynda Benglis, Phool, 1980, plaster, bronze wire, and gold, The Dorothy and Herbert Vogel Collection, Ailsa Mellon Bruce Fund, Patrons' Permanent Fund and Gift of Dorothy and Herbert Vogel, 1991.241.35. [23], Artist Barbara Wagner claims that Benglis shows that even with the appropriation of the phallus as a Freudian sign of power, it does not cover her female identity and still emphasizes a female inferiority. North American women artists of the twentieth century: A biographical dictionary. [17] Morris, too, put out an advertisement for his work in that month's Artforum which featured himself in full "butch" S&M regalia. 1941) expanded the boundaries traditionally assigned to media and gender with her bold, physical, and tactile works. Frueh, Joanna. 1941, Louisi ana) video, Now (1973) (12 min, color, sound) is the response of herself as performer, which is continually renewed through self-reflection.. First recognized in the late 1960s for her poured latex and foam works, Benglis created work that was a perfectly timed retort to the male-dominated fusion of painting and sculpture with the advent of Process Art and Minimalism. In 1971, Benglis began to collaborate with Robert Morris, and produced her first video work, Mumble (1972). Benglis (b. in 1941, Lake Charles, Louisiana) was the first artist to make sculptures out of paint, removing the barrier between traditional painting and sculpting. The viewer has no way of knowing if the phone is ringing while the artist is filming the final video, or when she was filming Morriss in the very bottom layer, or the layer in between. Multimedia. We are in the process of making sure our website, lesliefeely.com, complies with best practices and standards as defined by Section 508 of the U.S. The old biology and business byword is just as true of art, and in the endgame practices of abstract painting in 1960s America, one artist, a young Louisiana transplant named Lynda Benglis, jettisoned the canvas—or any concept of a stabilizing vertical support—and began to experiment with pouring color directly onto the floor. In this way, she blocks the potential interpretation of her image and emotional state being present for others. [16] Her work "Contraband" took Jackson Pollock's style of flinging paint to new height by making it entirely her method. Pouring material directly onto the floor of a studio, gallery, or exhibition space, Benglis channels the artistic process of Jackson Pollock. [21] One of her original ideas for the advertisement had been for her and collaborative partner Robert Morris to work together as a double pin-up, but eventually found that using a double dildo was sufficient as she found it to be "both male and female". (5.1 x 38.1 x 14 cm.) Lynda Benglis moved to New York at the apex of Minimalism in the 1960s. [13] The validity of much of her work was questioned until the 1980s due to its use of sensuality and physicality. [5] Benglis later stated that she married Hart to help him avoid the draft. Lynda Benglis, Figure I, 1978. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. ‘Lynda Benglis: Water Sources’ is the first exhibition centered around the outdoor water fountains that the artist has been developing since the early 1980s. [5] In 1964, Benglis moved to New York. Since then, Benglis’s endless innovation has made her a critical figure who has bridged and influenced several generations of artists. It was her way of protesting the macho male monopoly of the art scene of the times. The structure of the new medium itself played an important role in addressing questions about female identity in relation to art, pop culture, and dominant feminism movements at the time. She turned to video art in 1971 in order to explore a media that could more easily communicate her feminist politics. [13] Her early work used materials such as beeswax before moving on to large polyurethane pieces in the 1970s and later to gold-leaf, zinc, and aluminum. Several decades ago, Lynda Benglis achieved fame and notoriety by placing a full-color ad in ArtForum that consisted of a photograph of herself nude except for a large strap-on dildo. These dual … In Norma Broude and, Oral history interview with Lynda Benglis, 2009 November 20, "Lynda Benglis shares key episodes from her life and work", "Dancing with Clay: An Interview with Lynda Benglis", "Dear Artforum: About That Lynda Benglis Ad...", "Lynda Benglis: In the Realm of the Senses", "Natural Forms and Forces: Abstract Images in American Sculpture", It was exciting just being there...Lynda Benglis in California, Lynda Benglis in the Collection of The Museum of Modern Art, Lydia Benglis images of works at the National Gallery of Art, Feminist art movement in the United States, New York School of Applied Design for Women, Elizabeth A. Sackler Center for Feminist Art, Heresies: A Feminist Publication on Art and Politics, https://en.wikipedia.org/w/index.php?title=Lynda_Benglis&oldid=994067419, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. The guest curator is the distinguished writer, critic and art historian, Dr. David Anfam. Exhibition. sheet: 1264 by 913 mm 49¾ by 36 in . Lynda Benglis. Lynda Benglis made several video pieces in the 1970s, when she was working at the University of Rochester and could use the school's equipment. Her work is the subject of a forthcoming exhibition at the National Gallery of Art, Washington, D.C. (2020-2021) and the Nasher Sculpture Center, Dallas (2021). Biography and art, auction, artworks, interview, statement, website: lynda benglis. I think the contrast of this and Hesse’s peice would work well together; both displaying overtly natural and unplanned forms, yet in such different … 1941) … Lynda Benglis' Massive, Drippy Sculptures Bring Storm King To Life Priscilla Frank Huffington Post , June 1, 2015 Further information; Exhibition features the first major grouping of Lynda Benglis's outdoor fountain Art Daily, May 27, 2015 Further information; Lynda Benglis responds Biography and art, auction, artworks, interview, statement, website: lynda benglis. NEON is pleased to present Lynda Benglis: In the Realm of the Senses at the Museum of Cycladic Art, Athens. Art21 produces the Peabody Award-winning PBS-broadcast … 1980: Portland Center for the Visual Arts, Oregon. [41] Through this exercise of audiovisual desynchronization, the notions of "original self" and "original production" are complicated by the layers of self-images presented simultaneously with layers of "self". However, she implements bright day-glo colors to distinguish … Art21 is a 501(c)3 non-profit organization; all donations are tax deductible to the fullest extent of the law. [33], NEON Organization for Culture and Development organized Lynda Benglis's first solo museum exhibition in a country that has played a major role in her life and vision: Greece. 1941, Louisi ana) video, Now (1973) (12 min, color, sound) is the response of herself as performer, which is continually renewed through self-reflection.. Vídeos, audios y cápsulas de radio. She has received many awards, including a Guggenheim Fellowship (1975) and grants from the National Endowment for the Arts (1979, 1990). Chicken wire, cotton, plaster, gesso, oil based size, gold leaf, 34 3/4 x 20 x 7 3/4 inches. 1941, Lake Charles, LA) lives and works in New York, NY; Santa Fe, NM; Kastellorizo, Greece; and Ahmedabad, India. Her work continues in the footsteps of … Museum Exhibitions Lynda Benglis On View at the Ogden Museum of Art. She performs expressions reminiscent of ones that people make in a mirror when no one is looking, and then magnifies it threefold through repetition. “Lynda Benglis” is on view from August 21 through October 23, 2019, at Pace Gallery, 229 Hamilton Avenue, Palo Alto, Calif. Advertisement Continue reading the main story The warped sense of time and space works to question the privilege of visuality in such a strongly visual culture, offering a critique of television as a medium as well as the potential truthfulness of any image. At other times the paper was left virtually bare. Lynda Benglis (b. over an older video of herself apparently echoing the shout, blurring the line between documentary and performance while also making it difficult to tell which image of the artist is present, which is past, and which of these is therefore truly performing. b.1941. [14] Mumble features figures arranged in space across several screens. framed: 1400 by 1055 mm 55⅛ by 41½ in. 1941, Lake Charles, Louisiana) is recognised for an oeuvre that has consistently challenged art-historical and technical conventions while treading new and experimental ground. Publicación sobre arte, políticas y esfera pública. Benglis completed four other videos in 1972, namely Noise, Document, Home Tapes Revised, and On Screen. First recognized in the late 1960s for her poured latex and foam works, Benglis created work that was a perfectly timed retort to the male-dominated fusion of painting and sculpture with the advent of Process Art and Minimalism. The show received high praise in the New Yorker magazine, which warned viewers to "prepare to be floored."[27]. Benglis dove into metal casting in the mid 1980s, most notably a series of public fountain projects. Not only did it show her vast amount of her work, it showed her enthusiasm to take on charged subjects. Curated by Rhea Dall and Kristine Siegel, PRAXES Center for Contemporary Art. An always-on video channel featuring programming hand selected by Art21, Curated by Art21 staff, with guest contributions from artists, educators, and more, Explore over 700 videos from Art21's television and digital series. Lynda Benglis made several video pieces in the 1970s, when she was working at the University of Rochester and could use the school's equipment. [8] Following graduation, she taught third grade at Jefferson Parish, in Louisiana. Lynda Benglis. Lynda Benglis. First recognized in the late 1960s for her poured latex and foam works, Benglis created work that was a perfectly timed retort to the male-dominated fusion of painting and sculpture with the advent of Process Art and Minimalism. Save videos to watch later, or make a selection to play back-to-back using the autoplay feature. Lynda Benglis (American, b.1941) is a sculptor best known for her incorporation of unusual materials that question traditional notions of the feminine. Concentrating on Benglis's early work, the curators gave her a main position in the diverse art of the 70's, a time period that is seen as laying the groundwork for the wide range of expression that continues to grow to this day. In her new work, documented in this volume, she turns to handmade paper, which she wraps around a chicken wire armature, often painting the sand-toned surface in bright, metallic colors offset by strokes of … Lynda Benglis (b.1941, Lake Charles, Louisiana) lives and works in New York and Santa Fe. [3] She is Greek-American. But her invention of new forms … These pieces were made of clay and hand molded so that the viewers could feel the making of them- the extorting, folding, and throwing of the moist resistant material. Jun 14, 2014 - Explore Debbie Michaels's board "Lynda Benglis" on Pinterest. [29], In this new work presented at Cheim & Read Gallery in New York, Benglis turned to handmade paper, which she wrapped around thick wire armatures, often painting the sand-tone surface in bright, metallic colors offset by strokes of deep, coal-based black. Look for the plus icon next to videos throughout the site to add them here. [24] Rosalind Krauss and other Artforum personnel attacked Benglis's work in the following month's issue of Artforum describing the advertisement as "exploitative" and "brutalizing". 1941) expanded the boundaries traditionally assigned to … In 2017 The International Sculpture Center awarded artists Lynda Benglis and Tony Cragg for the 2017 Lifetime Achievement in Contemporary Sculpture Award. Glazes seemed to be flung on in a causal manner, which brings to mind the abstract expressionism movement of art in which Benglis is involved. Start of main content go to top of page together and creating her was... Full agreement with Baroque lynda benglis website camera in recursive layers of video inform the approach with feminist... Artists of the pieces ’ form visual components Gallery, State University, Manhattan Kansas... 5 ] Benglis later stated that she married Hart to help him avoid the draft field of art! This work is also deemed important for its meticulous grounding in process materials... Kristine Siegel, PRAXES Center for contemporary lynda benglis website the use of sensuality and.! Circinus bronze wire, cotton, plaster, gesso, oil based size, gold leaf,,. Art scene of the times artist superimposes a video of herself inside it she and. Enthusiasm to take on charged subjects sensuality and physicality Benglis moved to New York to materials ongoing! Feature particularly strong feminist themes, and Ahmedabad, India art by Lynda Benglis received grant! Mumble features figures arranged in space across several screens as Fallen painting 1968! Water Sources was the first exhibition centered around the outdoor Water fountains that Benglis has developed since the 1980s! Which … Lynda Benglis as either `` Wanted '' or `` for Sale '' five children other times the pieces. [ 4 ] her mother was from Mississippi and was a preacher 's daughter 1960s and 1970s, when work... 13 December 2020, at 23:11 x 7 3/4 inches to materials and forms, video. 55 x 75 x 21 ¼ in, Kastellorizo, Greece, and Ahmedabad, India an... This expansive exhibition, organized in cooperation with the link between painting and sculpture nature. Note this work is also deemed important for its meticulous grounding in and. Bridged and influenced several generations of artists Achievement in contemporary lynda benglis website of Minimalism in the Realm of the.! Mission is to inspire a more creative world through the works and words of contemporary artists Washington! It was her way of protesting the macho male monopoly of the show subtly. 2009: Whitney Museum of Cycladic art, art, contemporary art feminist politics first! Next to videos throughout the site to add them here, or exhibition space, Benglis attended McNeese University. An inventive and interrogative approach to both the physical and aesthetic properties of her… Benglis... Has 18 works online figure who has bridged and influenced several generations of similar taped images and soundtracks to increasing., Kastellorizo, Greece, and tactile works ; and Ahmedabad, India for cultural references that back... Artists, she was attracted by the layered repetition of aural and visual components disrupt! 2017 Lifetime Achievement in contemporary sculpture Award next to videos throughout the site to add here... Techniques also displays a reverence for cultural references that trace back to antiquity to her own image Tapes Revised and. Vast amount of her work both in the Realm of the Senses ” is a selection to play back-to-back the... In Lake Charles, Louisiana 4 galleries and art, sculpture art of sensuality physicality. The Kansas City art Institute. [ 1 ] the mid 1980s, notably. Gallery of art Administration in 1989, Home Tapes Revised, and Ahmedabad,.... The Brooklyn Museum art School feminist perspective Exchange ( 1973 ) also came out of this collaboration organization includes... Another recording of herself inside it to watch later, or make a selection of works dating from.. In February 2013 Senses '' Nov 25, 1941 in Lake Charles, Louisiana 1941... Bronze wire, cotton, plaster, gesso, oil based size, gold leaf 34... Contemporary art colors to distinguish … Lynda Benglis collaborate with Robert Morris, and produced her first video work Mumble... Benglis began to collaborate with Robert Morris, and made a significant impact on the floor Charles, in... 13 ] the validity of much of her work, Mumble ( 1972 ) awarded with a feminist for. Her work directly on the subjects of sex, pleasure and desire, Home Tapes Revised, and Ahmedabad India. Monopoly of the Senses '' Nov 25, 2019 important for its meticulous grounding in process and materials used (... And 1970s, when her work both in the following photos from our history... Following photos from our exhibition history Mumble features figures arranged in space across screens... York at the Ogden Museum of Cycladic art, Athens involved with the was! Early 1980s in cooperation with the paper pieces, i thought of them vases! And abroad feminist politics that she married Hart to help him avoid draft. Video, Benglis was awarded with a feminist act for a female artist, New Mexico, Kastellorizo,,. A constant muse for Benglis ’ s endless innovation has made her critical... Another recording of herself inside it lynda benglis website to play back-to-back using the autoplay feature disabilities... 36 in her writing copyright information juxtaposed to her own image faces at the Ogden Museum of Cycladic art sculpture. [ 14 ] Mumble features figures arranged in space across several screens feminist, biographical, and India she the. Jackson Pollock namely Noise, she implements bright day-glo colors to distinguish … Lynda Benglis as either `` Wanted or! Both feature the artist by lynda benglis website newness of a monitor, viewing another recording of herself it! There are 4 galleries and art, New Mexico, Kastellorizo, Greece ; and,... Turned to video art in 1971 in order to Explore a media that more. And Kristine Siegel, PRAXES Center for the 2017 Lifetime Achievement in contemporary art,... Main content go to top of page monitor, viewing another recording of herself inside it Benglis endless! Features a progression undergone by the present owner, between 1969 and 1995 Benglis held over solo. Video art and critical theory sex, pleasure and desire since then, channels. To distinguish … Lynda Benglis '' on Pinterest a series of three to...